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A Perfect Day for Bananafish by J.D. Salinger


Analysis. A convention of New York advertising men is tying up the long-distance phone lines at Muriel 's hotel. Because of this, Muriel busies herself for two and a half hours as she waits for her call to go through. She spends the time grooming herself, doing things like painting her nails and moving a button on her Saks blouse.

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"A Perfect Day for Bananafish," especially on its metaphoric level, explores the same theme. Seymour, whose name perhaps indicates that he sees more clearly than other people, has dubbed his.

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A short summary of J. D. Salinger's A Perfect Day for Bananafish. This free synopsis covers all the crucial plot points of A Perfect Day for Bananafish.

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'A Perfect Day for Bananafish' is one of J. D. Salinger's best-known and most widely studied short stories. First published in the New Yorker in 1948, the story is a masterclass in how to reveal both character and plot through elliptical and suggestive dialogue, with the 'action' largely focusing on two scenes: one in a hotel room and.

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And it all starts with " A Perfect Day for Bananafish ," the story of Seymour Glass, the oldest of the Glass children. Salinger wrote "Bananafish" in 1948 when he was still relatively unknown. In the story, Seymour Glass, just back from his service in World War II, struggles with mental illness while vacationing with his wife in Florida.

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A Perfect Day For Bananafish. By J. D. Salinger. January 23, 1948. The New Yorker, January 31, 1948 P. 21. A young man, recently returned from the Army goes to Florida with his wife. His wife has.

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Overview. American author J. D. Salinger's short story "A Perfect Day for Bananafish" was first published in The New Yorker in 1948. It later appeared as the opening story in Salinger's 1953 collection Nine Stories. The central character is Seymour Glass, a World War II veteran on vacation with his wife, Muriel. The tale's seemingly.

"A Perfect Day for Bananafish" by J.D.Salinger. Short Story 9 for The Short Story Society


"A Perfect Day for Bananafish" is set at a dazzling resort along the Florida coast where upper-class guests luxuriate and indulge. Everyone is surrounded by decadent things like calfskin leather, designer clothes, silks, and fashion magazines, suggesting that the resort and its patrons are the very embodiment of upper-class refinement.

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A PERFECT DAY FOR BANANAFISHby J. D. Salinger, 1953. When "A Perfect Day for Bananafish" first appeared in print in a 1948 edition of The New Yorker, readers were stunned. The American version of French existentialism drew on the tradition of understated narrative and idiomatic language that began with Mark Twain's Huckleberry Finn and appeared.

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A Perfect Day for Bananafish. "A Perfect Day for Bananafish" is a short story by J. D. Salinger, originally published in the January 31, 1948, issue of The New Yorker. It was anthologized in 1949's 55 Short Stories from the New Yorker, as well as in Salinger's 1953 collection Nine Stories. The story is an enigmatic examination of a young.

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First published in the New Yorker on January 31, 1948, and later the first story in the 1953 collection Nine Stories, "A Perfect Day for Bananafish" begins with Muriel Glass sitting in a Florida hotel room fielding a telephone call from her overconcerned mother. As is typical of J. D. Salinger's work, dialogue between characters…

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A Perfect Day for Bananafish Summary. The long-distance phone lines at the hotel are busy, so Muriel Glass has to wait two and a half hours for her call to go through—time that she spends reading a magazine article about sex; grooming herself; cleaning her clothes; and painting her nails. When the operator finally rings her room, Muriel is.

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''A Perfect Day for Bananafish,'' published in 1948, is an early example of a postmodernist story in which the key element of the plot (the motive for Seymour's suicide) is conspicuously.

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See Full PDFDownload PDF. J. D. Salinger A Perfect Day for Bananafish The New Yorker, January 31, 1948, pages 21-25 THERE WERE ninety-seven New York advertising men in the hotel, and, the way they were monopolizing the long-distance lines, the girl in 507 had to wait from noon till almost two-thirty to get her call through.

A Perfect Day for Bananafish by J.D. Salinger


"A Perfect Day for Bananafish" is a short story by J. D. Salinger, originally published in the January 31, 1948 issue of The New Yorker. It was anthologized in 1949's 55 Short Stories from The New Yorker, as well as in Salinger's 1953 collection, Nine Stories.

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The criticisms conveyed in "A Perfect Day for Bananafish" would not become a mainstream movement for another ten years, and Salinger's work fits into the larger artistic movement of postmodernism, which began in the 1960s. Postmodernist writers created works that were often minimalist in style, ambiguous in content, and heavily reliant on.

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